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On the Web
Euryanthe's Silence (link) 1997 - opening pages of a detailed
study on the radical aspects of Carl Maria von Weber's Euryanthe.
The importance of text versus the visual in opera generally is
questioned; also, how the traditionally understood sense of the story
is undermined by the music, with some consequences for interpretation,
direction, staging and lighting. Anyone wishing to read the
complete article, should contact the author firstname.lastname@example.org
, giving reasons for interest, and an undertaking
to acknowledge quotations or borrowed ideas in
any publication. The copyright for this article is
registered with the author, Ric Graebner.