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Kathryn
Harries - Honorary President
Kathryn
Harries is internationally renowned for the extraordinary
breadth of her repertoire and for the dramatic intensity of
her performances. After studying at the Royal Academy of Music
with Constance Shacklock, she spent some years dividing her
time between presenting
the award-winning Television series `Music Time' (of which
she recorded over 60 programmes and an associated LP) and
a developing concert career. She made her Royal Festival Hall
debut in 1977 since when she has been in considerable demand
in repertoire ranging from Monteverdi to the 20th Century.
She made her operatic debut in 1983 as Leonore in Beethoven's
Fidelio for Welsh National Opera. Engagements in the
UK since then have included roles in operas by Beethoven,
Wagner, Bellini, Strauss, Mozart, Sawyer, Berlioz, Bartok
and Berg, with companies including Covent Garden, Welsh National,
English National, Scottish Opera, Opera North and Glyndebourne.
She
made a sensational US debut in 1986 as Kundry in Wagner's
The Flying Dutchman under James Levine at the Metropolitan
Opera New York, and since then her international career has
taken her to the Lyric Opera of Chicago, San Francisco, the
Lyon Berlioz and Orange Fesivals, Paris, Nice, Liege, Netherlands
Opera in Amsterdam, Brussels, Geneva, Stuttgart, Hamburg,
Linz, Bamberg, Tel Aviv and Berlin. In the course of these
travels she has added to her repertoire roles in further operas
by some of the composers listed above as well as by Bolcom,
Bizet, Weill, Vivier, Shostakovich, Nono, Mascagni, Offenbach
and Puccini. For the Easter Salzburg Festival in Berlin she
sang Mrs Sedley in Britten's Peter Grimes with Sir
Simon Rattle and the Berlin Philharmonic, and had an enormous
success as the Kostelnicka in Jancek's Jenufa at the
2004 Glyndebourne Festival.
Kathryn
Harries also appears regularly on the concert platform. Recent
engagements have included Mahler's Kindertotenlieder,
concerts with the English Northern Philharmonia, a recording
of Brahms songs for BBC Radio 3, Der Neue Orpheus in
the BBC Symphony Orchestra Weill weekend at the Barbican,
and the role of Begbick in his The Rise and Fall
of Mahagonny at the BBC Proms and in Bremen and Lucerne
with the BBC Philharmonic.
Future commitments include Gerard Barry's The Bitter
Tears of Petra von Kant for English National Opera, Puccini's
Les Dialogues des Carmelites in Hamburg and Bilbao, Kabanicha
in Janacek's Katya Kabanova in Genoa, and the Kostelnicka
in the same composer's Jenufa for the Angers Nantes
Opera.
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