The William Roberts SocietyWilliam Roberts:Exhibitions![]() Art Gallery (pen and ink), 1956 © The Estate of John David Roberts Galleries are in London unless otherwise indicated. |
| 1913 | New English Art Club, Dec. 1913 (Return of Ulysses) |
| 1914 | Fry's Grafton Group, Alpine Club Gallery, Jan. 1914 |
| New English Art Club, summer 1914 (Boxers) | |
| Rebel Art Centre
(Dancers
and Religion) | |
| Whitechapel Gallery, 'Twentieth Century Art', MayJune 1914, (eight works, including The Resurrection
and The Parting
'an abstract work') | |
| 1915 | London Group,
'Second London Group Exhibition', Goupil Gallery, Mar.1915 (exhibited three works:
The Toe Dancer,
The Boatman
and The Boxers) |
| Grosvenor Galleries, 'Vorticist Group', spring 1915 | |
| Doré Galleries, 'Vorticist Exhibition', JuneJuly 1915 (four paintings and two drawings, including Overbacks,
Jeu,
Two-step,
The Party,
Draughts
Players
and Theatre) | |
| 1917 | New York, Penguin Club, 'Exhibition of the Vorticists', Jan. 1917 (four paintings and drawings,
including Religion
and Dancer) |
| 1919
| Royal Academy of Arts (1), 'Canadian War Memorial Exhibition', Jan.Feb. 1919 (The 1st German Gas Attack at Ypres) |
| Oxford, Hills and Saunders Gallery, 'Cubist Exhibition', June 1919 | |
| New English Art Club, '60th Exhibition of Modern Drawings in Watercolour and Black and White by the New
English Art Club', summer 1919 (Burying the Dead after Battle
1919,
The Wiring Party
1918) | |
| Ministry of Information in New York?, 'War Paintings and Drawings by British Artists', 1919 | |
| Royal Academy of Arts (2), 'The Nation's War Paintings and Other Records', 12 Dec. 19197 Feb. 1920 | |
| 1920 | Imperial War Museum at Crystal Palace, 'Paintings, Drawings and Sculpture', 1920 |
| Manchester City Art Gallery, 'The Nation's War Pictures from the Imperial War Museum', 10 Mar.8 May 1920 | |
| Goupil Gallery, Goupil Salon, 1920 (The
Stockbroker's Clerk) | |
| Mansard Gallery (Heal's), 'Group X', Mar. 1920 (with Frederick Etchells and Edward Wadsworth) (Athletes Exercising in a Gymnasium,
The Wedding,
The Cockneys) | |
| New English Art Club, '62nd Exhibition of the New English Art Club', Royal Society of Painters in Water
Colours Galleries, 7 June3 July 1920 (The Travelling Cradle) | |
| 1921 | Independent Gallery, 'Paintings, Drawings and Sculpture by Some Independent Painters and Sculptors',
Feb. 1921 (The Travelling Cradle,
1920) |
| 1922
| London Group (1), Mansard Gallery (Heal's), May 1922 (The Last 'Bus,
Novices) |
| London Group (2), Mansard Gallery (Heal's), Oct.Nov. 1922 (At The Hippodrome,
Dock Gates) | |
| 1923 | Chenil Galleries, 'Paintings and Drawings by William Roberts', Nov. 1923 (The Crucifixion,
Dock Gates,
Behind the Scenes,
The Art Critic
P. G. Konody,
Gymnasts,
The Usurer,
Portrait of Miss Tupper-Carey,
Fred,
Girl in Mauve Hat,
Portrait,
Elsie,
River Scene,
Le Patron,
Brass Balls,
The Banjo,
The Box,
Her Baby,
The Tumbler,
Sea Frolic,
Captain Robin Buxton,
A Girl's Head,
Head of a Youth,
Sarah,
Jewish Melody,
The Dance Club,
Love Song in a Bar,
Country Scene,
Sarah,
John,
Aircraftman Ross
(aka Portrait of T. E. Lawrence),
Colonel S. F. Newcombe DSO,
Colonel Sir Henry McMahon,
General Sir Reginald Wingate,
Lord Winterton,
Camel March,
The Joke,
The Picture Dealer
(aka The Connoisseur),
The Toast,
The Creole,
Kit,
study for Bank Holiday in the Park,
Waiting in the Café
(aka Discussion in a Café), The Poor Family,
nine drawings (including Woman Standing?) catalogue foreword by Muirhead Bone |
| Grosvenor House, 'Contemporary Art Society. Exhibition of Paintings and Drawings', 30 June8 July 1923 (The Red Turban,
The Resurrection
1912, Infantry Fatigue Party: Forage Barn
1919) | |
| 1924 | Edinburgh, 'The Ninety-Eighth Exhibition of the Royal Scottish Academy of Painting, Sculpture
and Architecture', Royal Scottish Academy, 19 Apr.30 Aug. 1924 (Dock Gates
1920, The Picture Dealer
1923) |
| New English Art Club, June 1924 (The Bus Stop
1924) | |
| 1925 | New English Art Club, 'Retrospective (18861924)', Jan. Feb. 1925 (Shipping
1922); Apr.May 1925 (The Boat Pond) |
| London Group, June 1925 (Rabbi's Wife,
The Judgement of Paris,
Bank Holiday in the Park) | |
| New Chenil Galleries, 'Inaugural Exhibition of Present-Day British Art', JuneJuly 1925 (The Happy Family) | |
| 1926 | London Group, Royal Society of Painters in Water Colours Galleries, Jan. 1926 (Esther) |
| London Group, Royal Society of Painters in Water Colours Galleries, June 1926 (The Shimmey, Regrets) | |
| New Chenil Galleries (1), 'British, American, German, Swiss and Mexican Artists', 1926 (Dogs of Beni Hillal) | |
| New Chenil Galleries (2), 'First Annual Winter Exhibition', Nov. 1926 (Sarah
1922, A Gipsy Girl,
Christ Driving the Money Changers from the Temple) | |
| 1927 | Leicester Galleries (1), London, 'Exhibition of Paintings, Pastels, Drawings and Woodcuts Illustrating Col.
T. E. Lawrence's Book, Seven Pillars of Wisdom
', 5 21 Feb. 1927 (Camel March
1923) |
| Vienna Secession, 'Meisterwerke Englischer Malerei aus drei Jahrhunderten', Sept.Nov. 1927 (The Resurrection
1912) | |
| Leicester Galleries (2), London, 'Second Exhibition of the London Artists' Association', Nov. 1927 (Trafalgar Square,
Susanna on the
Beach,
Dogs of Beni Hillal,
Garden of Eden) | |
| 1928 | Leeds City Art Gallery, 'Exhibition of the London Artists' Association', 31 Mar.28 Apr. 1928 |
| London Group, Retrospective Exhibition 19141928, New Burlington Galleries (Dock Gates,
Love-song in a Bar,
Loading Ballast
and Peasants) | |
| London Artists' Association, 'Recent Paintings by Members of the London Artists' Association' July 1928 (Jockeys,
Love Song in a Bar) | |
| Venice Biennale, 1928 | |
| Whitechapel Gallery, 'Contemporary British Art', Oct.Dec. 1928 | |
| 1929 | London Artists' Association (1), 'Paintings by William Roberts', Cooling Galleries, 29 June12 July 1929 (including Rhine Boat,
Portrait of a Boy,
The Prodigal Departs,
Thoughts,
The Boat Pond,
Pawnshop,
Anthony in Egypt,
Deposition,
Surprise,
Garden of Eden,
Susanna on the Beach,
The Swimming Bath,
Carpet Cleaning,
Loading Ballast,
Pigeon Fanciers,
The Tea Garden) |
| London Artists' Association (2), 'Recent Paintings by Bernard Adeney (and others)', Nov. 1929 (Portrait of an American) | |
| Manchester, 'The Hugh Blaker Collection', Platt Hall, Rusholme, MayJune 1929 (The
Stockbroker's Clerk
1920) | |
| Royal Scottish Academy of Painting, 1929 (Armistice Night) | |
| Whitechapel Gallery, 'Exhibition of Contemporary British Art, Including the Collection of Edward Marsh,
Esq.', 24 Oct.1 Dec. 1929 (The Return of Ulysses
1913, The Resurrection
1912, Kit
1923, Pigeon Fanciers
1928, Camel Corps
1929) | |
| Pittsburgh, Carnegie Institute, 'International Exhibition', Oct.Dec. 1929 (Bank Holiday in the Park)
| |
| 1930 | Bradford, Cartwright Memorial Hall, 'Jubilee Exhibition', spring 1930 |
| Venice Biennale, 1930 | |
| London Artists Association, 'Landscape and Flower Paintings', Cooling Galleries, JuneJuly 1930 (Sawing Wood) | |
| Arthur Tooth & Sons, Nov.Dec. 1930 (Feeding Gulls
1929) | |
| 1931 | Newcastle upon Tyne, Laing Art Gallery, 'Modern Paintings and Drawings Lent by Edward Marsh, Esq.', 1931
(Camel March
1923) |
| Whitechapel Gallery, 'Exhibition of the Contemporary Art Society's Paintings and Drawings', 27 Apr.30 May 1931 | |
| London Artists' Association, 'Recent Paintings and Drawings by William Roberts', Oct.Nov. 1931 (A Gipsy Girl
19256, Going to Swim,
Les Routiers,
The Chess Players,
Sun-bathing,
Primrose Hill,
Portrait of Artist Wearing a Cap,
The Restaurant,
The Schoolboy,
A Talk about Buddha,
Bank Holiday in the Park
1923, etc.) | |
| Abdy Galleries, 'Exhibition of Watercolours and Drawings by John Armstrong William Roberts', 19312 (Loading Ballast) | |
| 1932
| Ottawa, National Gallery, 'Contemporary British Painting', Mar. 1932 (The Rhine Boat) |
| London Artists Association, 'Flower and Figure Paintings', 29 June 1932 (Lord and Lady Keynes) One day only? | |
| Hamburg, 'Neue Englische Kunst', JuneJuly 1932 (A Gipsy Girl
19256, The Restaurant,
Portrait of an American) | |
| Venice Biennale, 1932 (The Return of Ulysses,
Kit
1923, The Chess Players c.
1929, Les Routiers
1931) | |
| Arthur Tooth & Sons, 'Exhibition of Pictures Acquired by the Contemporary Art Society', 28 Sept.15 Oct. 1932 (Jockeys,
The Happy Family) | |
| 1934
| London Artists Association, 'London Artists Association Retrospective Exhibition', Cooling Galleries, Mar. 1934
(The Judgement of Paris
1933) |
| Newcastle upon Tyne, Laing Art Gallery, 1934 (The Happy Family
1924) | |
| Pittsburgh, Carnegie Institute, 'International Exhibition', Oct. Dec. 1934 (The Masks) | |
| New Zealand and Australia, 'Loan Collection of Contemporary British Art', 19345 (Chess Players,
The
Stockbroker's Clerk) | |
| 1935 | Mayor Gallery, 'Twenty-Five Years of British Painting, 19101935', Apr.May 1935 |
| Lefevre Gallery, 'New Paintings and Drawings by William Roberts', Feb.Mar. 1935 (The Judgement of Paris
1933, Spanish Beggars
1933, Mediterranean Folk
1934, The Family
1934, Sam Rabin versus Black Eagle
1934) | |
| Tate Gallery (1), 'Silver Jubilee Exhibition of Some Works Acquired by the Contemporary Art Society',
JulyAug. 1935 (The Picture Dealer, Jockeys, The Creole) | |
| Tate Gallery (2), 'Loan Collection of Paintings, Drawings and Etchings by Contemporary British Artists',
Oct. 1935 (The Chess Players, The Stockbroker's Clerk) | |
| Bath, Pump Room, 'Second Festival of Contemporary Arts', Apr.May 1935 (Sam Rabin versus Black Eagle
1934) | |
| Bucharest, 'Desenul si Gravura Engleza (Secolele XVIIIXX)', Dec. 1935Mar. 1936 (Burying the Dead after Battle
1919) | |
| 1936 | Vienna, 'Ausstellung von Britischen Aguarellen, Zeichnungen und Stichen, 17351935', Apr. 1936 (Burying the Dead after Battle
1919) |
| Johannesburg Art Gallery, 'British Council Empire Exhibition', 1936 (Camel March
1923) | |
| Pittsburgh, Carnegie Institute, 'International Exhibition', Oct.Dec. 1936 (Sun-bathing) | |
| 1937 | Redfern Gallery, 'Contemporary English Painters', 4 Feb.27 Feb. 1937 |
| Leicester Galleries, London, 'Works by Members of the London Group', Mar. 1937 (The Judgement of Paris
1933) | |
| London Group, New Burlington Galleries, Oct. 1937 (A Party at Number Four) | |
| 1938 | Lefevre Gallery, 'William Roberts', Mar. 1938 (15 paintings, 31 drawings only four drawings were sold; works included Sun-bathing, The Masks, The Gutter, The Palm Foretells, The Orchard, Chamber Music, Bohemians, Spanish Beggars, Shuttlecock, The Tea Room) |
| Leeds City Art Gallery, 'British Artists' Exhibition', Feb.Apr. 1938 (Sam Rabin versus Black Eagle
1934) | |
| Pittsburgh, Carnegie Institute, 'International Exhibition', Oct.Dec. 1938 (The Gutter
1934) | |
| London Group, New Burlington Galleries, Nov.Dec. 1938 (Folk-dance
titled The Lambeth Walk
(sic) He Knew Degas
1938) | |
| 1939 | Newcastle upon Tyne, Laing Art Gallery, 'Modern Drawings and Paintings Lent by Arthur Crossland Esquire',
1939 (Sarah
1925 (red chalk) and Sarah
1925 (pencil on red paper)) |
| Oxford, Ashmolean Museum, 'Younger British Painters', 1939 (Errand Boys, The Toque) | |
| St Helens, 'English and French Paintings', Apr.May 1939 (Park Café
1928) | |
| Morecombe and Heysham, 'English and French Paintings', June 1939 (Park Café
1928) | |
| British Council Tour of Northern Capitals, 'Contemporary British Art', 1939 (Pigeon Fanciers
1928, Sawing Wood
1930, The Chess Players
192930, Les Routiers
1931, study for The Palm Foretells
1937) | |
| Leicester Galleries, London, 'Selected Works lent by the Contemporary Art Society', Oct.Nov. 1939 (The Chess Players
192930) | |
| New York, World's Fair, 'Contemporary British Art', 1939 and US and Canada tour (The Masks
1934, The Gutter
19345) | |
| 1940 | 'The Montague Shearman Collection', Apr.May 1940 (Going to Swim
1930) |
| Redfern Gallery, 'French and English Paintings, Drawings and Prints', 1940 | |
| Royal Academy, 'United Artists' Exhibition', 1940 (Sun-bathing) | |
| National Gallery, 'British Painting since Whistler', 1940 (Camel March
1923, Feeding Gulls
1929) | |
| Oxford, Ashmolean Museum, 'Modern British Paintings', 1940 (The Recorder
Player
19356, The Toque
1939) | |
| 1941 | Newcastle upon Tyne, Laing Art Gallery, 'Exhibition of Watercolour Drawings by Orpen, Sargent, Rothenstein,
Muirhead Bone, Steer, etc. Lent by the Imperial War Museum', 1941 |
| Leeds, Temple Newsam, 'Drawings and. Watercolours by Augustus John and Other British Artists',
Apr.June 1941 (Feeding Gulls
1929) | |
| New York, Museum of Modern Art, 'Britain at War', 22 May2 Sept. 1941 | |
| Leicester Galleries, London, 'Modern Paintings', Oct. 1941 | |
| Birkenhead, Williamson Art Gallery, 'Imperial War Museum: Exhibition of. Watercolour Drawings',
14 Dec. 194119 Jan. 1942 | |
| 1942 | Redfern Gallery, 'William Roberts', JulyAug. 1942 (18 oils, 23 drawings only three paintings and four drawings sold; works included Sun-bathers, Errand Boys, The Toque, The Judgement of Paris
1933, Boy in a Blue Jersey, The River, Café-bar, Woman with a Red Collar, Demolition Squad, Errand Boys, Cow-men, Pigeons, He Knew Degas, The Recorder Player, Portrait of a Young Man, Folk Dance, Windy Day, study for The Masks
1934, No, No Roger
1934, Water Polo
watercolour 1938, Cricket
1938) |
| CEMA (Council for the Encouragement of Music and the Arts) tour, 'British Paintings 19001940' (Sam Rabin versus Black Eagle
1934) | |
| Toledo Museum of Art, USA, 'Contemporary British Art', 1942 (The Gutter
1934) | |
| 1943 | Leicester Galleries, London, 'Portraits for Collectors', Oct.Nov. 1943 (The Toque) |
| Allied Institutes, 1943 (Artist and Wife) | |
| 1944 | CEMA (Council for the Encouragement of Music and the Arts) tour
(?), 'English. Watercolour Paintings', 1944 (study for Sun-bathing
1931(?)) |
| Leicester Galleries (1), London, 'Selected Paintings, Drawings and Sculpture from the Collection of the Late
Sir Michael Sadler, KCSI, CB, LL.D', 7 Jan.10 Feb. 1944 (Gunners Pulling Cannons, The Judgement of Paris) | |
| Leicester Galleries (2), London, 1944? (Park Café
1928) | |
| 1945 | Cairo, Gezira, 'Contemporary British Art', Jan. 1945 (Park Café
1928) |
| Tate Gallery (1), 'The Tate Gallery's Wartime Acquisitions: Second Exhibition', JuneJuly 1945 (Self-portrait Wearing a Cap) | |
| Tate Gallery (2), Contemporary Art Society, 1945 (The Picture Dealer
1923) | |
| Leicester Galleries, London, 'Drawings in Colour by William Roberts', Oct.Nov. 1945 (25 drawings eight sold; works included The Bathers
19434, The Tip
19445, Tropical Sea
19434, Farewell
19434, Cyclists
19434, News
1941) | |
| Royal Academy, 'National War Pictures', Oct.Nov. 1945 (Munitions Factory) | |
| Arts Council tour, 'Portraits', 19456 (Sarah
1922) | |
| 1946 | Paris, 'Exposition Internationale d'Art Moderne', Nov.Dec. 1946 (The Judgement of Paris
1933) |
| Tate Gallery, 'Acquisitions of the Contemporary Art Society', Sept.Oct. 1946 (Jockeys, The Creole) | |
| Northampton, 'Art Alive', Mar.Apr. 1946 (The Rhine Boat) | |
| Arts Council tour, 1946 (The Picture Dealer
1923) | |
| 1947
| Leicester Galleries, London, 'New Year Exhibition', Jan. 1947 (The Resurrection
1912) |
| South Africa, 'Contemporary British Paintings and Drawings', 19478 (The Family
1934, Woman Bathing Child
1939, The Try-on
1931, study for Sunbathing
1931(?)) | |
| London Group, Royal Society of British Artists Galleries, MayJune 1947 (The Artist and His Wife
19467) | |
| Toronto, 'Canadian National Exhibition', 1947 (The Palm Foretells
1937) | |
| Cairo, 'International Exhibition of Contemporary Art', 1947 (Bohemians
1937, Woman Bathing Child
1939) | |
| 1948 | Leicester Galleries (1), London, 'Selected Painting, Drawing and Sculpture from the Hugh Blaker Collection',
Mar. 1948 (The
Stockbroker's Clerk, La Femme Tragique) |
| London Group, 'Paintings and Drawings by William Roberts', Royal Society of British Artists Galleries,
MayJune 1948 | |
| Leicester Galleries (2), London, 'Artists of Fame and of Promise', July 1948 (The Rhododendron) | |
| Institute of Contemporary Arts, London, '40 Years of Modern Art', Mar. 1948 (The Cinema
1920) | |
| Arts Council, 'A Selection of Paintings and Drawings acquired by the Contemporary Art Society',
1948 (Feeding Gulls
1929, The Creole) | |
| Royal Academy, Summer Exhibition, 1948 (Portrait of the Artist, The Gipsy) | |
| Royal British Artists Society, spring 1949 (The Tip, Portrait of a Woman) | |
| 1949 | Royal Academy, Summer Exhibition, 1949 (Ernest Cooper Esq.) |
| Leicester Galleries (1), London, 'New Works by Members of the London Group', Jan.1949 (After the Bath/War Baby
1946) | |
| Leicester Galleries (2), London, 'Artists of Fame and of Promise', July 1949 (Cantering to the Post) | |
| Leicester Galleries (3), London, 'New Drawings, Satirical and Otherwise, by William Roberts', Nov. 1949 (29
watercolour drawings ten were sold; works included Spanish Rhythm, Channel Crossing
19345, Self-portrait
19367, Cricket
1938, The Guitarist
1943, The Gipsies
19467, Crossing the Minch
19467, Homage à Stulik
1948, A
Reception at the London Group
19489, Bus-stop
19489) | |
| London Group, New Burlington Galleries, Dec. 1949Jan. 1950 (The Sailor's Return, La Gitana) | |
| 1950 | Leicester Galleries, London, 'Artists of Fame and of Promise', July 1950 (Donald Wolfitt as King Lear at The Old Bedford, The Guitar Lesson) |
| Royal Academy, Summer Exhibition, 1950 (Primrose Hill, Portrait of a Man Lighting a Pipe) | |
| 1951 | Royal Academy, Summer Exhibition,
1951 (The Temptation of St Anthony, Caught) |
| Leicester Galleries, London, 'The Collection of the Late Sir Augustus Daniel', June 1951 (Burying the Dead after Battle
1919) | |
| Arts Council (1), 'British Painting 19251950: First Anthology', 1951 (Sarah
1922, A Gipsy Girl
19256, Going to Swim
1930) | |
| Arts Council (2), 'Some Recent Purchases of the CAS' 1951 (Chamber Music
1937) | |
| British Council tour
(Germany, Japan, Israel, New Zealand, Korea, Portugal, Lebanon, Greece,Czechoslovakia,
France and Hungary),
'British Drawings and Watercolours of the Twentieth Century', 195180 | |
| 1952 | Leicester Galleries (1), 'New Year Exhibition', Jan. 1952 (Indolence) |
| Tate Gallery, 'Seventeen Collectors', Mar.Apr. 1952 (The Resurrection
1912, The Return of Ulysses
1913, The Judgement of Paris
1933, Cricket
1938, Windy Day
1941) | |
| Leicester Galleries (2), London, 'Artists of Fame and of Promise', July 1952 (The Temptation of St Anthony) | |
| Royal Academy, Summer Exhibition, 1952 (The Revolt in the Desert) | |
| Leicester Galleries (3), London, 'A Selection of Pictures from the Collection of Wilfred Evill', Oct. 1952
(The Restaurant
1929, The Recorder Player
19356, The Grand Chantrey Stakes
1949) | |
| 1953 | Leicester Galleries (1), London, 'New Year Exhibition', Jan. 1953 (Marking the Pose
1952, Self Portrait
1951) |
| Football Association,
'Exhibition at Football Association', Arts Council exhibition, 1953 (The Lesson) | |
| Leicester Galleries (2), London, 'The Collection of the Late Sir Edward Marsh', May 1953 (The Return of Ulysses
1913, Pigeon Fanciers
1928, study for The Palm Foretells
1937) | |
| Hull, 'London Artists Association retrospective Exhibition', 15 Aug.12 Sept. 1953 (The Restaurant, Lord and Lady Keynes) | |
| Dudley Public Library, 'Life in Industry 190050' (At the Hippodrome) | |
| Empire Art Loan Exhibition
(Unidentified subject
c.
1912) | |
| Royal Academy, Summer Exhibition, 1953 (Trafalgar Square) | |
| 1954
| Bradford, Cartwright Memorial Hall, 'Jubilee Exhibition Fifty Years of British Art' 19 Mar.8 June 1954 (Going to Swim
1930, Trafalgar Square
1952) |
| Royal Academy, Summer Exhibition, 1954 (Masked Revels) | |
| 1955 | Arts Council tour, 'A Selection of Paintings and Drawings from the Rutherston Collection', 1955 (Infantry Fatigue Party: Forage Barn
1919, Seated Woman
1920, Sarah
1922, A Gipsy Girl
19256) |
| Royal Academy, Summer Exhibition, 1955 (The Birth of Venus) | |
| Café Royal, 'The Artist at the Café Royal', July 1955 (The Boat Pond
1925) | |
| 1956 | Tate Gallery
and Arts Council tour, 'Wyndham Lewis and Vorticism', 6 July19 Aug. 1956 (Germans in Constantinople
1916, The Gas
Chamber, preparatory sketch for Gas Attack) |
| Royal Academy, Summer Exhibition, 1956 (The Rape of the Sabines) | |
| Copenhagen, 'Britisk Kunst 19001955', Apr. 1956; also shown in Oslo, June 1956 (Dock Gates
1920, Jockeys
1928, The Family
1934) | |
| 1957 | Leicester Galleries, London, 'New Year Exhibition of Paintings, Drawings and Sculpture by Ninteenth and
Twentieth Century Artists', Jan. 1957 (The Travelling Cradle, 1919) |
| Geneva, 'Art et Travail', JuneSept. 1957 (Sawing Wood
1930) | |
| Royal Academy, Summer Exhibition, 1957 (The Canal Fishers) | |
| East and Central Africa, 'Contemporary British Painting', 195758 (The
Stockbroker's Clerk
1920) | |
| 1958 | Leicester Galleries, London, 'Paintings and Drawings by William Roberts', Feb. 1958 (Garden of Eden
1926, Bed-time Story
1943, The Ballet
1944, The Ferry
1944, The War Baby
1946, The Sailor's Return
1948, Marking the Pose
1952, The Rape of the Sabines
19556, The Boat Pond
1956, The Canal Fishers
1957, The Shoe Shop
1957, The Hungry Birds
19578, Powder-puff Referee
19578, Summer Night
19567, The Spring Board
19567, Window Dressing
19567, Under the Trees) |
| Arts Council tour, 'The Arts Council Collection: After Impressionism', 1958 (Seated Woman, A Gipsy Girl
19256) | |
| Royal Academy, Summer Exhibition, 1958 (The Cockatoos) | |
| 1959 | Royal Academy, Summer Exhibition, 1959 (Trooping the Colour, The Shoe-shop, The Hungry Birds) |
| 1960
| Leicester Galleries, London, 'New Year's Exhibition', January 1960 (Newspapers
1926) |
| Tate Gallery, 'The Contemporary Art SocietyThe First Fifty Years 19101960', Apr.May 1960 (Jockeys
1928) | |
| Royal Academy, Summer Exhibition, 1960 (The Guitarist
/Flamenco, TV) | |
| 1961
| Leicester Galleries, 'Artists of Fame and of Promise Pt 2', JulySept. 1961 (Marking the Pose
1952) |
| Royal Academy, Summer Exhibition, 1961 (Portrait of the Artist, The Dove, Sunflowers) | |
| 1962 | Portugal, 'Arte Britanica no Seculo XX', 1962 (Jockeys
1928, Sawing Wood
1930) |
| Royal Academy, Summer Exhibition, 1962 (The Vorticists, L'Algerienne) | |
| Leicester Galleries, London, 'Artists of Fame and of Promise', JulyAug. 1962 (Dock Gates
1920) | |
| Texas, University of Texas, 'T. E. Lawrence 192035', 1962 (George Ambrose Lloyd
1925) | |
| Bedford, Cecil Higgins Gallery, 'Watercolours from the Cecil Higgins Collection', Oct.Nov. 1962 (The Boat Pond) | |
| Leeds City Art Gallery, 'A Commemorative Exhibition of Paintings and Sculptures from the Collection of Sir
Michael Ernest Sadler', Dec. 1962 Jan. 1963 (study for The Crucifixion
1919) | |
| 1963 | Redfern Gallery, '20th Century French and English Drawings and Watercolours', Jan.Feb. 1963 (Leadenhall Market
1913, Loading Barges
1913, Trafalgar Square
1926) |
| Royal Academy, Summer Exhibition, 1963 (The Common Market, The Salute) | |
| Royal Academy Diploma Gallery, 'A Painter's Collection', Mar.Apr. 1963 (Burying the Dead after Battle
1919, Going to Swim
1930, Cricket
1938, Intellectuals
1942) | |
| Leicester Galleries, 'Artists as Collectors', 1963 | |
| Methodist Education Committee touring exhibition, 19635 (The Crucifixion
1919) | |
| British Council tour of Eastern Europe, 'British Painting 190060', 19634 (The
Stockbroker's Clerk) | |
| 1964
| Leicester Galleries, London, 'New Year Exhibition', Jan.Feb. 1964 (Billingsgate
1913) |
| Arts Council, 'Recent Acquisitions of the Contemporary Art Society', JulyAug. 1964 (Interval before Round Ten) | |
| Royal Academy, Summer Exhibition, 1964 (Guarding the Masterpiece, The Bicycle Lesson, Italian Peasants) | |
| Manchester City Art Gallery, 'Paintings and Drawings of the First World War', 18 Sept.11 Oct. 1964 | |
| Redfern Gallery, 'Summer Exhibition', JuneSept. 1964 (Trafalgar Square
1926) | |
| Tate Gallery, 'London Group Jubilee Exhibition', JulyAug. 1964 (Bank Holiday in the Park
1923, The Artist and His Wife
dated as 1943, The Sailor's Return
1948) | |
| 1965
| Arts Council tour, 'Decade 191020', MaySept. 1965 (Feeds Round, A Shell Dump, Infantry Fatigue Party: Forage Barn
1919, The Travelling Cradle
1920) |
| Brighton Art Gallery, 'The Wilfrid Evill Collection', JulyAug. 1965 (The Resurrection
1912, The Cinema
1920, The Restaurant
1929, Love Song in a Bar
1921, Dogs of Beni Hallal
1925, Park Café
1928, The Judgement of Paris
1933, The Masks
1934, Hanging a Masterpiece
1934, The Recorder Player
listed as The Artist's Son Playing the Flute
19356, Bohemians
1937, Artist and Wife
1940, Windy Day
1941, The Grand Chantrey Stakes
1949, Self Portrait
1951, Summer Night
(Lovers) 19567) | |
| Royal Academy, Summer Exhibition, 1965 (Teaching the Crawl, Woman Reading, The Shower, Distinguished Guest to the Tate) | |
| Grosvenor Gallery, 'Cubism and Its Influence', 26 Oct.12 Nov. 1965 (Camel March
1923 not in cat.) | |
| Tate Gallery, 'William Roberts ARA Retrospective', 20 Nov.19 Dec. 1965 (major retrospective 107 oils on canvas; 98 watercolours, drawings and studies; 10 life drawings, and
1 poster) | |
| 1966 | Newcastle upon Tyne, Laing Art Gallery, 'William Roberts ARA Retrospective', 1 Jan.22 Jan. 1966 |
| Manchester, Whitworth Art Gallery, 'William Roberts ARA Retrospective', 29 Jan.19 Feb. 1966 | |
| Royal Academy, Summer Exhibition, 1966 (The Artist in a Paper Hat, The Kites
?, The Ball, The Lizard, Heatwave) | |
| 1967 | William Ware Gallery, 'The Camden Town Group and English Painting 19001930s', 331 Mar. 67 |
| Southampton Art Gallery, 1967 (study for The Temptation of St Anthony, Mediterranean Folk
1934, Ritual Bath, London Group Gives a Reception, Graveyard at Barra, Portrait of Millie Kramer) | |
| Royal Academy, Summer Exhibition, 1967 (The Goats, The Washing Day, Autumn, The News, The Seaside) | |
| Folkstone, New Metropole Arts Centre, 'The War Artists, Memorial Exhibition', 4 Aug.18 Sept. 1967 | |
| Whitechapel Gallery, 'British Sculpture and Painting', Dec. 1967Jan. 1968 (The Dentist
1925) | |
| 1968 | Norwich,
University of East Anglia, 'Art and the Machine', 1968 |
| Royal Academy, Summer Exhibition, 1968 (Mahomet's Ride, The Playground, The Fountain, The Necklace, The Card Trick, The Goal) | |
| 1969 | Royal Academy, Summer Exhibition, 1969 (Gossips, Punting, Moving Day, The Diners, Snooker, The Towpath) |
| Anthony d'Offay Couper Gallery (1), 'William Roberts R.A. Drawings and Watercolours, 19151968', 23 Sept.10 Oct. 1969 (32 paintings and drawings; many of the dates are not consistent with
those usually given) | |
| Anthony d'Offay Couper Gallery (2), 'Abstract Art in England 19131915', 11 Nov. 5 Dec. 1969 (Two Step II, Theatre, St George and the Dragon) | |
| 1970 | Leicester Museum, 21 Feb.15 Mar. 1970 (The Dance Club
1923) |
| Royal Academy, Summer Exhibition, 1970 (Saturday Night, Tree Felling, The Laundry-mat, The Climbers, The Horsemen) | |
| Hamet Gallery, 'Summer Exhibition 1970', 3 Aug.28 Apr. 1970 | |
| Arts Council, 'Abstract Art in England 19131915', 1970 (Theatre III
study 1915) | |
| 1971 | Hamet Gallery, 'William Roberts RA: A Retrospective Exhibition', 16 Feb.13 Mar. 1971 |
| Morley College Gallery, 'The Art of War 191418', 18 May12 June 1971 (Soldiers Putting up Wagon-lines, Menin Road) | |
| Fine Art Society, 'British Drawings and Watercolours of the 20th Century', 7 June25 June 1971 | |
| Royal Academy, Summer Exhibition, 1971 (The Dancing Bear, The Promemade, The Love song, Orange Picking, The Accused, The Reed-pipe) | |
| Ohio, Colombus Gallery of Fine Art, 'British Art 18901928', 1971 (Chess Players) | |
| Exeter Museum and Art Gallery, 'William Roberts, Paintings and. Watercolours', 27 Nov.18 Dec. 1971 | |
| 1972 | Manchester, The Tib Lane Gallery, 'Watercolours by William Roberts RA', 429 Jan. 1972 |
| Worthing Art Gallery, 'Paintings and Drawings by William Roberts from the Ernest Cooper Collection', 29
Apr.3 June 1972 (study for First German Gas Attack at Ypres
1918, study for Errand Boys, Bank Holiday in
the Park
1923, The Punt
c.
1943, Woman and Her Cat
c.
19434? Self-portrait
1948, Masked Revels
1953, The Recital
c.
1968, Man and Woman
Reclining by the Thames, The Drums, The Tea Party, The Tramp, Gypsy Flower Seller, Millie Kramer, Card Game, Under the Trees, Sun-bathing, Sarah with Guitar, Flower Arrangement, Sacrifice in the Rain, I'll Put a Tuck in 'Em, The Family, Boys Fishing, Hedgecutting) | |
| Nottingham University Art Gallery, Nottingham Festival 'British Artists of the First World War', 823 July 1972 | |
| Royal Academy, Summer Exhibition, 1972 (Rush Hour, The Boat Pond, Strippers and Scrubbers, Dog Lovers, On the Wire, The Guitar Lesson) | |
| Parkin Gallery, 'The Café Royalists', 20 Sept.14 Oct. 1972 (Dog-lovers
1971) | |
| Café Royal, 18 Oct.8 Nov. 1972 (Dog-lovers
1971) | |
| 1973
| Hamet Gallery, 'William Roberts R.A.', 328 Apr. 1973 |
| Michael Parkin Fine Art, 'The Appalling Loss. An Exhibition of 191418 War Artists', 8 June14 July 1973 | |
| Royal Academy, Summer Exhibition, 1973 (Ennui, Tiddler Fishing, Bath Night, The Grandchild, The Swans, The Soldier's Dream) | |
| 1974 | Hayward Gallery, 'Vorticism and Its Allies', 27 Mar.2 June 1974 (Toe-dancer, Street Games, Dominoes, Theatre I, Theatre II, Theatre III, Machine Gunners
(photo), Combat
(photo), St George and the
Dragon, Sketches for Gas Attack, Dancers, The Vorticists at the Restaurant de la Tour Eiffel: Spring 1951
1961, study for The Vorticists) |
| Royal Academy, Summer Exhibition, 1974 (Los Borrachos, The Seagulls, The Tiddlers, The Portrait, Reflections)
| |
| Edinburgh, Scottish National Gallery of Modern Art, 'We are Making a New World. Artists in
the 191418 War: Paintings, Sculpture, Prints and Photographs from the Imperial War Museum',
12 Oct.10 Nov. 1974 | |
| South London Art Gallery, 'Paintings 191424', 31 May26 June 1974 | |
| 1975 | Royal Academy, Summer Exhibition, 1975
(The Siesta, The Vigilantes, The Vaulting Horse, The Pet, The Art Gallery) |
| 1976 | Hayward Gallery, 'The Human Clay', 1976 (Self Portrait
1911, The Flower Arrangement
1944) |
| Liverpool, Bluecoat Gallery, 'An Honest Patron. A Tribute to Sir Edward Marsh', 5 May5 June 1976 (A Street Fight
c.
1916) | |
| Royal Academy, Summer Exhibition,
1976 (The Guitarists, The Wimpy Bar, The Life Class, Pleasure Cruise, Checkmate, The Clothes Line) | |
| Michael Parkin, 'William Roberts. An Exhibition of Paintings and Drawings', 17 Nov.4 Dec. 1976 (22 paintings, 44 drawings and watercolours, and 6 etchings, including
Sun-bathing, Rush Hour, The Joke
1923, Self-portrait
19337, study for The Common Market
1963) | |
| 1977 | Farnham, West Surrey College of Art and Design, 'Artists at War', 7 Jan.26 Jan. 1977 |
| Royal Academy, Summer Exhibition, 1977 (Etretat, The Huntsman, Don't 'e know Jarge, tha be no Resurrection, By the Seaside, Fixing the Creeper, The See Saw, The Gypsies) | |
| Rotterdam, Museum Boymans-van-Beuningen, 'La Bicyclette', 1977 (Errand Boys) | |
| Arts Council tour
: Bradford (JulyAug.), Portsmouth (Aug.Oct.), Newcastle upon Tyne, Laing Art Gallery (Oct.Dec.) 1977 (At The Hippodrome
1920) | |
| New York, Davis and Long, 'Vorticism and Abstract Art in the Machine Age', 1977 (study for
The Vorticists, study for St George and the Dragon) | |
| 1978
| Royal Academy, 'Cityscape Urban Themes in American, German and British Art', 19 Jan.19 Mar. 1978 (At the Hippodrome
1920, Park Bench) |
| Royal Academy, Summer Exhibition, 1978 (The Boating Lake, The Zoo, They Walked on the Sea) | |
| 1979 | Royal Academy, Summer Exhibition, 1979 (Frolicking, The Music Lovers, Guarding the Masterpiece, The Hairdressers, Pussy-cats, The Truth and Nothing But the Truth) |
| Hayward Gallery, 'Thirties: British Art and Design between the Wars', Oct. 79Jan. 80 (Sawing Wood
c.
1930, Sunbathing, He Knew Degas, No! No! Roger, Cezanne Did Not Use It
1934) | |
| Brighton Polytechnic Gallery, 'Made at the Slade. A Survey of Mature Works by Ex-Students of the Slade School
of Art, 1892 1960', 129 Nov. 1979 | |
| 1980 | Edinburgh, Royal Scottish Academy Galleries, 'Centenary Exhibition: The Royal Scottish Society
of Painters in Watercolour', 19 Jan.14 Feb. 1980 |
| Royal Academy, Summer Exhibition, 1980 a mini-retrospective of seven works from various periods to mark Roberts's death
earlier in the year (The Pipers, The Artist Looks Ahead, The Swan, Which is the Way to Barcelona, Parson's Pleasure, Combat, Robin Brook) | |
| Maclean Gallery, 'William Roberts R.A 189580', 24 Sept.31 Oct. 1980 (thirty-three works) | |
| Sheffield, Arts Council at Graves Art Gallery, 'More Than a Glance', 4 Oct.2 Nov. 1980 | |
| Anthony d'Offay Gallery, 'William Roberts 18951980. Drawings and Watercolours', 28 Nov.19 Dec. 1980 | |
| Tate Gallery, 'Abstraction: Towards A New Art', 1980 (study for Two-step II
c.
1915) | |
| 1981 | Alsager Art Gallery, 'Exhibition of First World War Artists', 11 Nov.8 Dec. 1981 |
| Paris, Pompidou Centre, 'Le Realisme Anglais entre les Deux Guerres', 1981 (The Poor Family, Self-portrait Wearing A Cap) | |
| 1982 | Anthony d'Offay Gallery, 'British Drawings and. Watercolours', 20 Jan.6 Mar. 1982 (Good Old Days, study for St George and the Dragon) |
| Brighton Polytechnic Gallery, 'The Eye of the Storm', 527 May 1982 | |
| New York, SalanderO'Reilly Galleries, Inc., 1982 | |
| British Council in China, 'British Drawings and. Watercolours', 1982 (Hay Rick) | |
| British Council tour
( Scotland, Hong Kong and China),
'British Drawings and Watercolours from Rowlandson to Riley', 1982 | |
| 1983
| Reading Art Gallery, 'William Roberts', 5 Mar.9 Apr. 1983 (large exhibition: numbers are approximate since some media are not specified
in the catalogue: 31 canvases, 40 watercolours, 47 drawings, 66 vignettes, 1 etching,
2 posters. Paintings are mainly from the 1960s and '70s with some earlier portraits; drawings run from the 1920s to the 1970s. Some works are undated.) |
| Cambridge, Fitzwilliam Museum, 'Maynard Keynes Collector of Pictures, Books and Manuscripts', 5 July29 Aug. 1983 (Labourers, Apple Pickers, Spanish Beggars, Shuttlecock, Boy Wearing a Sun-hat, Lord and Lady Keynes, Self-portrait, The Connoisseur, Street Acrobats, French Sailors on the Deck of a Ship, Family and Dog, Family at the Seaside, Male Nude, Lydia Keynes) | |
| New Haven, Conn., Yale Center, 'Blast: The British Answer to Futurism', 1983 (study for St George and the Dragon) | |
| Stow-on-the-Wold, Fosse Gallery, 'Ten Royal Acadamicians', 26 Sept.15 Oct. 1983 | |
| 1984
| National Portrait Gallery, 'William Roberts 18951980. An Artist and His Family', 27 July7 Oct. 84 (22 self-portraits, 14 of Sarah, 5 of John, and 2 others) |
| Sheffield /Norwich/Coventry/Camden Arts Centre, 'The Forgotten Fifties', 1984 (Hampstead Fair) | |
| 1985 | Cambridge, Fitzwilliam Museum, 'Watercolours, Drawings and Etchings', 1985 (98 artefacts, mainly
chalk, pencil and ink drawings, owned by the Roberts family) |
| Dulwich Picture Gallery, 'Introducing Sam Rabin', 1985 | |
| 1986 | Venice, Palazzo Grassi, 'Futurismo e Futurismi', 2 May13 Oct. 1986 (Return of
Ulysses
watercolour, study for St George and the Dragon) |
| Anthony d'Offay Gallery, 'Important English Drawings Relating to Cubism and Futurism', 1986 (study for St George and the Dragon) | |
| Gillian Jason Gallery (1), 'Pencil, Pen and Brush Modern British Drawing', 10 Jan.14 Feb. 1986 (Leah Kramer, The Grandmother) | |
| Gillian Jason Gallery (2), 'Double Sided Drawings', 26 Mar.26 Apr. 1986 | |
| 1987 | Arts Council, 'Looking into Painting Narrative', 1987 (The Vengeance of Odysseus
1974) |
| Royal Academy, 'British Art in the Twentieth Century', 1987 (Red Turban
1921, Sarah
1927, Bank Holiday in the Park
1923, At The
Hippodrome
1920, The Cinema, The Dance Club
1923, Les Routiers
1931) | |
| 1988 | Spink & Son, 'Annual Exhibition of 20th Century British Paintings and Drawings', 10 June8 July 1988 (Camel March
1923) |
| National Portrait Gallery, 'T. E. Lawrence', 9 Dec. 198812 Mar. 1989 | |
| 1989 | Albemarle Gallery, 'Paintings, Drawings and Watercolours 19101978', Apr. 89 (22 drawings, 13 watercolours, 8 canvases) |
| Hong Kong, Arts Council tour, 'Picturing People: British Figurative Art since 1945', 198990 (Rush Hour) | |
| Barbican Art Gallery, 'The Last Romantics', 1989 (Unidentified Subject
c.
1912?) | |
| Entwistle Gallery, 'British Artists Works on Paper, 19001950', Apr. 1989 | |
| Edinburgh, Scottish National Gallery of Modern Art, 'English Art 192060: Paintings of the Watt Bequest', Dec. 89Jan. 90 (The Rhine Boat, The Ballet, Woman Reading) | |
| 1990 | Gillian Jason Gallery, 'William Roberts An Artist's View', 21 Mar.27 Apr. 1990 (59 drawings and watercolours on the art world, including illustrations
from pamphlets) |
| British Council tour
(USSR, Luxembourg, Bulgaria and Argentina), 'For a Wider World', 199091 | |
| 1991 | Gillian Jason Gallery, '
40 Self Portraits', 20 Jan.16 Feb. 1991 (many from the 1984 National Portrait Gallery exhibition) |
| Hayward Gallery, 'British Contemporary Art 191090, Contemporary Art Society', 3 Dec. 199119 Jan. 1992 (The Dance Club
1923, Jockeys) | |
| 1992 | Gillian Jason Gallery, 'Humour and Satire', May 1992 (61 works mainly drawings and watercolours from the 1960s and '70s) |
| Christopher Hull Gallery, 'Modern British Pictures and Work by Gallery Artists', 17 June7 Aug. 1992 (Dancing to Music) | |
| 1993
| Methodist Education Committee touring exhibition, Northampton and St Paul's, London, 'Images of Christ', Jan.July 1993 (study for The Crucifixion) |
| Gillian Jason Gallery, '
Pictures Pure and Pagan', 15 Sept.8 Oct. 1993 | |
| 1994 | Barbican Art Gallery, 'A Bitter Truth: Avant-Garde Art and the Great War', 29 Sept.11 Dec. 1994 |
| National Portrait Gallery, 'The Sitwells and the Arts of the 1920s and 1930s', 14 Oct. 199422 Jan. 1995 (A Shell Dump
1919, The Lord of Song
191314, endpapers) | |
| 1997 | British Council tour
(USA, Canada, Russia, UK and Poland), 'Drawing Distinctions Twentieth Century Drawings and Watercolours of the British Artists', 19972003 (Howitzer in Action, Folk Dance) |
| 1998 | Gallery 27, 'Muddied Oafs: An Exhibition of Football', 2227 June 1998 |
| 1999 | Abbot & Holder, 'Selected Six (Twelve)', June 1999 (12 pen-and-ink drawings on the theme of healthy
nutrition, c.
1945) |
| Tate Gallery, 'The Art of Bloomsbury', Nov. 1999Jan. 2000; then San Marino, 4 Mar.30 Apr. 2000; then New Haven, Yale Center, 20 May3 Sept. 2000 (No! No! Roger, Lydia Keynes) | |
| 2001 | National Portrait Gallery, 'Painting the Century', 26 Oct.4 Feb. 2001 (Maynard and Lydia Keynes) |
| Munich, 'The Cool Gaze Realism in the 1920s', 1 June2 Sept. 2001 (Les Routiers, The Dance Club) | |
| Liverpool, Tate Liverpool, 'Modern British Art Art and Lifestyle 191020', collection display 2001 (The Playground
1934, The Diners
1919) | |
| Artmonsky Arts, 'Slade Alumni 19001914', 11 Nov.16 Dec. 2001 (watercolours and drawings including The Ballet, Vorticist Composition, Dancers, Trooping the Colour, Girl Playing Guitar) | |
| Newcastle upon Tyne, Hatton Gallery, 'Artists of the London Group', 2001 (Nude Study, Nude with Flute, 1928) | |
| 2003
| Leeds, University Gallery, 'The Tortoise and the Hare', 30 Apr.20 June 2003; then at Ben Uri Gallery, London, 7 July7 Sept. 2003 (16 oils on canvas, 8 watercolours, 6 drawings and 10 printed artefacts) |
| Austin/Desmond Fine Art, 'Modern British Art', JulyAug. 2003 | |
| Museum of London, 'Twenties London', 16 Oct. 200320 July 2004 (The Bus Stop, Jazz Party) | |
| Newcastle upon Tyne, Hatton Gallery, 'Artists of the London Group', 2003 | |
| 2004
| Newcastle upon Tyne, Hatton Gallery, 'William Roberts (1895 1980)', 20 Mar.29 May 2004; also at Graves Art Gallery, Sheffield, 12 June4 Sept. 2004 (67 exhibits from 1909 to 1975, including 33 oil paintings, many from
the Tate and regional galleries; the Sheffield exhibition was slightly smaller) |
| Estorick Collection of Modern Italian Art, 'Blasting the Future! Vorticism in Britain 19101920', 4 Feb.18 Apr. 2004; also at the Whitworth Art Gallery, University of Manchester, 7 May25 July 2004 (Gunners Turning out for an SOS, The Wiring Party, The Travelling Cradle, Athletes Exercising in a Gymnasium, Novices) | |
| 2005 | Imperial War Museum, 'Lawrence of Arabia: The Life, the Legend', 14 Oct. 200517 Apr. 2006 (Aircraftman Ross, Dignity, The Dogs of Harith, Flashing Sword, Revolt in the Desert) |
| 2006 | Nottingham,
Djanogly Art Gallery, University of Nottingham, 'A Day in the Sun Outdoor Pursuits in Art in the 1930s', 18 Feb.9 Apr. 2006; also at The Lowry, Salford Quays, 29 Apr.25 June 2006 (Going to Swim, Sun-bathing
1936, Les Routiers, Parson's Pleasure) |
| 2007 | Chichester, Pallant Gallery, 'William Roberts: England at Play', 20 Jan.18 Mar. 2007 |
| Birmingham, The Barber Institute of Fine Arts, University of Birmingham, 'The Parrot in Art',
26 Jan.29 Apr. 2007 (The Cockatoos) | |
| Geffrye Museum, 'Home and Garden, Part 3: 19141960', 20 Feb.24 June 2007 (The Flower Arrangement) | |
| Melbourne, National Gallery of Victoria, 'In a Strange Land: Modern Britain 19001960, Masterworks from Australian and New Zealand Collections', 15 Nov. 200724 Feb. 2008 (Interval before Round Ten, The Prodigal Sets Out, Sam Rabin versus Black Eagle, Trafalgar Square
1952, The Salute, The Model
c
.1956, The Something Road Group) |
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